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The problem is many of us don’t really think that way. My personal musical goal right now is to play piano like Errol Garner. How the heck do you start on that journey? Well, it begins with a process of breaking things down into smaller and smaller steps until you wind up with something that can be realistically accomplished in a practice session (or a few).
The form here is seemingly as sparse as the accompaniment, and it’s just about the most “organic” thing I’ve seen so far in this study. After eight bars of verse, he introduces what will be the refrain lines (you really can’t call it a chorus because it’s only two lines over four bars). But then there’s a big stretch of verse at a non-standard, “just-feeling-it-that way” 36 bars, and then, just cutting this dough with his fingernails (as in, no pre-made cookie-cutter shapes), Drake gives us six bars of the “my head is spinning” sample, followed by, for some reason, only one of the refrain lines? Then there’s eight more bars of the sample and, following that, a mammoth verse section weighing in at 56 bars. To close it out, we get that refrain/sample combo again, but this time it’s punctuated with the first refrain line, and then the next line. Pretty innovative organization.
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With overwhelmingly positive results, we’re happy to share a few select testimonials of Soundfly’s Modern Mix Techniques course directly from our students.
While many sitcoms have musical episodes, I think Scrubs might’ve outdone the rest. Primarily, because the musical theme actually fits the plot of the episode. The show, which revolves around the daily lives of people working at a hospital, features a variety of hospital patients with different problems and diseases throughout its nine seasons, and this episode involves a woman who literally hears everything anyone says as if they’re singing it.
We briefly mentioned “Suzanne” by Leonard Cohen earlier. Aside from the religious references, it was also originally a poem Cohen wrote and published before the song was ever recorded. Try writing a poem purely on pen and paper, without worrying about melody or rhythm at all. Once you’ve got a solid draft, try setting it to music. Ultimately, you might need to be inventive or make some changes to make everything flow nicely, but this can produce good results.
Explore Soundfly’s wide array of free online courses and expand your musical skills over your lunch break! Here are just a few free courses you can choose from: How to Create a Killer Musician Website, Theory for Bedroom Producers, How to Get All the Royalties You Never Knew Existed, and of course, Touring on a Shoestring. Here’s a snippet of what to expect on Soundfly.
It absolutely could make “lazy” DJs better selectors, however, that is not our focus. We want to help people become better listeners and help them identify and understand the music they actually love, so they can confidently find more of it.
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Then, you look at your profits. Any revenue from royalties, playing gigs, selling CDs, etc. To help you out, here is a sample Profit and Loss form. Feel free to edit it as needed or create your own!
Antonio Bazzini was born in 1818 in Brescia. Like the many others on this list, he was trained in music from a very young age, and was appointed the organist of his local church at 17. But he also benefitted from being a virtuosic violinist at a ripe time for violin music. He met Paganini and trained with him, being encouraged by his mentor to travel, perform, and work on his technique. He moved to Germany in his early 20s and befriended Robert Schumann and Felix Mendelssohn (Bazzini gave the first private performance of Mendelssohn’s Violin Concerto).
Performing more often is an excellent goal, but plunging in headfirst can be dangerous and taxing. If you mean to keep this resolution, be smart about it.
Every time the cycle repeats, that low E root is right there to support that downbeat. Notice that it doesn’t have to hit every downbeat of the pattern, but it must hit on that repeated downbeat at the start of the cycle. Funky bass lines emphasize beat one and lay a solid rhythmic foundation.
You knew this was coming. But you know what, we’re proud of our humble blog, Flypaper. Here you can read about almost every single aspect of music-making, as well as deep dives into music history, production tutorials, interviews, photo essays, tour diaries, etc., and from literally the best music writers on the planet! And if you really want to keep up to date, make sure to sign up for our weekly newsletter, the Soundfly Weekly, and learn something new every Tuesday without leaving your inbox.